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News & Reviews - Press Reviews - Un Ballo in Maschera – The Fine Times Recorder

THE 2015 Iford Festival has opened in glorious style with a production of Verdi’s Un Ballo in Maschera, The Masked Ball.

Timothy Nelson’s production, brilliantly choreographed by Jo Mere­dith, brings the dichotomy of this story to the fore.

Updated to 1920s England, complete with Union flags and the Charles­ton, King Riccardo is surrounded by the fierce loyalty of most of his people. But there are a few dissidents who feel his rule is unjust.

ROB COLES IFORD ARTS UN BALLO (66)Whatever the truth, he has fallen in love with the wife of his most fervent supporter, and she with him. So while his public life is full of patriotism, pomp and enjoyment, he is consumed with love and wracked with guilt.

Both Riccardo and his lover, Amelia, consult a wise woman/witch, Ulrica, and she sees doom ahead.

Oliver Gooch’s CHROMA Chamber Ensemble returns to the Iford cloister with its cleverly balanced account of Verdi’s music, toned down for the size of the venue but never missing the power, passion, excitement or delicacy required to tell this complex story.

The eight cast members, five of them multi-tasking throughout the evening to fill the tiny performance space, are all fine acting, dancing singers, and the action never flags as the lighting (by Charlie Lucas) transforms a terrace into a spooky cavern into a graveyard into a ballroom. There are memorable coups de theatre … but I won’t spoil the surprise.

American tenor Brian Arreola is a passionate and tortured Riccardo, with WNO regular Eddie Wade as an elegant and dependable Renato.

Performance of Un Ballo at Iford Arts Festival 2015Nina Lejderman impresses as the page, Oscar, French mezzo Marianne Vidal relishes the possibilities off­er­ed by Ulrica and Catrin Aur is a powerful Amelia.

Iford is now in its 20th year, and this production is one of its finest.

GP-W

Take me to The Fine Times Recorder

Photographs by Rob Coles.

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© 2019 ifordarts.org.uk all rights reserved
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